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No one but Hendrix could conjure, much less transcribe, appropriate studio effects to approximate a deific act of intimacy.
THE JIMI HENDRIX EXPERIENCE ELECTRIC LADYLAND ZIPPYSHARE FULL
It also features contributing guest artists including Buddy Miles, Jack Casady, Al Kooper, and Steve Winwood, and boasts the engineering wizardry of Eddie Kramer.īeginning with “…And the Gods Made Love”, Jimi’s uncanny ability to harness imagination is on full display. Originally released as a double album, (adorned with a controversial gatefold photo of unclad female worshippers in the UK), its sixteen tracks ebb and flow with a precise irregularity that affords listeners a fleeting glimpse into the recesses of Hendrix’ artistic psyche. Hendrix’s true genius was not fully recognized until his final studio album Electric Ladyland was an exhaustive labor of love, one that blended aspects of Jimi’s past, present, and future into a bubbling cauldron of sonic energy and expression. Axis went a step further as Hendrix deftly mingled the ethereal beauty of “Little Wing” and “Castles Made Of Sand” with the acid test mind expansion of “If 6 Was 9”. His debut recording showcased unbridled flair and flash it was anchored by the classic psychedelic excursions of “Fire”, “Foxy Lady”, “Manic Depression”, and “3rd Stone From the Sun”, while also hinting at Hendrix’ deep affinity for American Delta Blues with the inclusions of “Hey Joe” and “Red House”. Beginning with 1967’s Are You Experienced and progressing through Axis: Bold As Love (also from 1967) to 1968’s Electric Ladyland, Hendrix matured as an artist at an unbelievably rapid rate. The scope and breadth of the Hendrix catalogue belies the fact that only three studio albums were recorded during his lifetime.
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So profound were his musical and spiritual sensibilities that his accomplishments still elicit wonder and amazement all these years later. The sounds and emotions emanating from his lefty-strung Fender Stratocaster and amps were by-products of what Hendrix could see and feel within himself. The guitar was a part of him an appendage that was directly connected to his head and heart and channeled through his soul. Yet Jimi’s talent was not predicated on mere physical dexterity, but more so on spirit.
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Hendrix’ prowess as a guitarist initially left Eric Clapton and Pete Townshend slack-jawed in disbelief, and nearly made them hang up their own instruments out of frustration. What Hendrix did in his brief career, however, was raise the bar of creativity to impossible heights, while cementing a legacy as an innovator, visionary, and icon. He was light-years ahead of his time, and quite possibly too good for his own good, as his visit proved to be a short one. Even the name of his band, The Jimi Hendrix Experience, foretold the sensory journey he was to lead. Everything about this axe-wielding apparition was different: his looks, his playing style, his ability to create. Arriving from an entirely different artistic universe, that comet, better known as James Marshall Hendrix, single-handedly changed the face of ’60s pop culture. Nearly four decades ago, a blazing comet crashed into London’s burgeoning music scene and exploded in a cloud of purple haze.